Gordon
Parks (1912–2006) lived an incredible life of firsts. He
was the first African American photographer at Life magazine
in 1949 and the first African American director of a major Hollywood
film, "The Learning Tree" in 1969. Within just a decade,
he grew from a self-taught portrait photographer and photojournalist
in Saint Paul and Chicago to a visionary professional working
in New York for Ebony and Glamour.
For
the first time, this lesser-known formative period of Parks's
long and illustrious career is the subject of an exhibition, Gordon
Parks: The New Tide, Early Work 1940–1950, now on view
at the National Gallery of Art. The exhibition details Parks's
early evolution through 150 photographs, rare magazines, newspapers,
pamphlets, and books. Evident, is how Parks influenced and was
inspired by a network of creative and intellectual figures - including
Charles White, Roy Stryker, Langston Hughes and Richard Wright.
The first section, A Choice of Weapons, 1940–1942, opens
with some of the elegant society portraits that established Parks's
career. After moving with his wife and two children to Chicago
in early 1941, Parks was given access to studio space and a darkroom
in the South Side Community Art Center (SSCAC). Established with
support from the Works Progress Administration's Federal Art Project,
the SSCAC was the epicenter of Chicago's African American art
scene.
There
he developed relationships with other artists - many who taught
at the center. Charles White encouraged him to document the surrounding
South Side neighborhood. This section includes Parks's portraits
of influential figures, such as SSCAC director, Peter Pollack
and philosophy professor and architect of the New
Negro movement, Alain Locke, and opera singer Todd Duncan.
The
next sections covers Parks’s projects for the Office of
War Information and the Standard Oil Company. Mass Media,
1945–1950, focuses on his work for major fashion magazines
and early photo essays for Life. Ralph Ellison, the renowned
author of "Invisible Man," collaborated with Parks in
1948 on “Harlem is Nowhere,” an article that connects
poverty, segregation, and mental health. In his first two years
at Life, he photographed couture fashion in Paris and
actress Ingrid Bergman on the set of the film Stromboli, and documented
segregation, street life, and poverty from Puerto Rico and Fort
Scott to Paris and Portugal.
On
view thru February 18, 2019.
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